Since September 2010, this blog has recorded the journey of this music junkie as I attempt to listen to all the music in my CD collection. CDs revisited in their entirety from start to finish - no skipping tracks, no shuffle. Compact Discs only - no vinyl, no tapes, no files.

Thursday, March 19, 2026

The Krayolas - Little Fox (2007)


When I learned of the passing of Augie Meyers earlier this month, I was reminded that I had this 4 track EP sitting on my shelves. Meyers, as a founding member of the legendary San Antonio group the Sir Douglas Quintet, helped invent Tex-Mex roots rock music back in the 1960's. The Krayolas were heavily influenced by SDQ, so this collaboration more than makes sense, it was practically predestined.


With a few clicks, I quickly found an article about the release from the San Antonio alt-weekly, the Current: Fox Force Five. But since the leader of The Krayolas, Hector Saldana, is a friend o' the blog, I simply reached out to him for his memories of Augie Meyers and the story of how this EP came about. So I'll shut up now as we go directly to the source for more info:
Augie Meyers was as pure a musician as they come. He was known for his sound on the Vox Continental combo organ, but he was also excellent and very musical on the accordion, could play rhythm and lead guitar and was downright elegant on the piano. He was also a really good singer.

Augie was a fan of the Krayolas since our teenage years. He had a show or segment on KEXL-FM radio in San Antonio where he spun local records and I remember going over there with our bassist and organ player Barry Smith with our 45 “All I Do Is Try”/”Sometime” – and he played it, which was a big deal. In the mid-1970s, the Krayolas always included “She’s About a Mover” and “Mendocino” in our sets.

“Little Fox” was completely out of the blue. Augie had listened to “Best Riffs Only” – the compilation of our old 45s – and really liked it and the cover artwork. I ran into him, and he told me he had heard it and that he had a demo of a song from the Sir Douglas Quintet days that was never released called “Little Fox.” He said he would play on it and gave me a cassette of a song that didn’t have the word “fox” in it, didn’t have a chorus, had horns and was kind of long. When I mentioned this to Augie after listening to it, he just said, “Make it sound like the Krayolas.” I arranged it. I turned the horn melody into the Rickenbacker 12-string riff, shortened it and wrote a chorus with “Little Fox.”

Augie is the one that took us to Blue Cat Studios. We recorded it live and listened to Take 1, which sounded great but I thought it could be shorter, so I cut a verse and we did it again. It sounded great. I remember during the first playback, I told my brother that I was going to say, “Take it, Augie!” before the organ solo just like Doug Sahm. We laughed. I almost lost my nerve during the take, but I went for it. It’s a cherished memory. We cut a handful of other songs that I had written for the Krayolas. “Little Fox” was originally in English. I asked my mom to write an additional set of Spanish lyrics for it, and that made it perfect.

Augie had so much fun, too. He said we should make an album. That’s how “La Conquistadora” album1 came about. He played Vox organ, accordion and piano during the sessions. We also made a Christmas video with Augie to my arrangement of the Rudolph song -- “Tex-Mex Rudolph.” Augie played accordion and Vox organ on it. Of course, “Catherine” and “Alex” were soon played on Little Steven’s Underground Garage on SiriusXM channel 21 – and we ended up playing showcases together at SXSW – including the only time Little Steven Van Zandt broadcast from SXSW. Augie came up for a couple of numbers on that one, including the Kinks “Who’ll Be the Next in Line” and “Little Fox.” At our first SXSW, the crowd went nuts when the Krayolas and Augie Meyers tore into the Dave Clark Five’s “Any Way You Want It.”
One of my favorite memories is Augie playing Vox organ with us at my birthday party at a club called The Cove.2 We did a lot of fun gigs and recording sessions together. I visited with Augie quite a few times near the end of his life, and I cherish those visits, too. We talked about his childhood and music and the many musicians he loved. On one of my last visits, I played him a mix of the Krayolas newest Christmas song, “Maria Believes in Christmas Again.” He had hoped to play Vox organ on it but it just couldn’t happen. But as he listened to it he was telling me what he would overdub on it when he felt better.

I was there for his last public gigs and helped him on and off the stage. I cherish that so much. We all loved the guy. He remained humble, down to earth and always with a joke at the ready. It’s a huge loss for San Antonio. He was one of the greatest musicians Texas ever produced.

A song I wrote that Augie played Vox organ on called "Exit Salida" is currently in Top 100 Most Played Songs ranking on SiriusXM Outlaw Country. They stated playing it in rotation last week in tribute to Augie. The Krayolas and Augie again.
Thanks, Hector. As for the music on this 10 minute CD, check it out for yourselves as the other tracks are quite good as well; I particularly enjoy Rescue Roses. Samples here: https://thekrayolas.com/music/little-fox/

1La Conquistadora is also on my shelves and will appear here in the future. Check this space.
2The Cove is the one of my favorite eateries and the only combination organic restaurant/bar/car wash/laundromat/live music venue that I'm aware of.



Personal Memory Associated with this CD: None, but I sure wish I could have been at that SXSW show.

Previously revisited for the blog:
Happy Go Lucky (2022)
Savage Young Krayolas (2020)
Best Riffs Only (2007)


Wednesday, March 18, 2026

Kevin Eubanks - Guitarist (1983)


Note: this release was originally purchased as a LP, later replaced by a CD.

From the Eubanks website (gently edited for clarity):
His first album as a leader, Guitarist, was released on the Elektra/Musician label when Kevin was 25. It documented a sophisticated, nuanced voice on the instrument and was graced by the presence of some peers who are still performing with him today: tenor saxophonist Ralph Moore (Tonight Show Band member) and Kevin's brother Robin. Kevin’s cousins, the late bassist David Eubanks and the pianist Charles Eubanks, also appeared on the recording, which was so well received that it lead to a seven record recording contract with the GRP label, owned by Dave Grusin and the late Larry Rosen.
Not sure about "sophisticated" and "nuanced," but promotion is promotion. To me, the album is sort of a mixed bag of compositions with lots of flashy technique, but that's what I would expect from someone trying to find his voice. To my ears, he was heavily influenced by Wes Montgomery and I can't say as I blame any guitarist for listening to a lot of Montgomery's work. The playing is better than the writing on the Eubanks originals but he'd get better at both. Guitarist isn't something I come back to often, but we all gotta start somewhere.

Liner notes written by Eubanks himself.

Reviews/ratings:
  • Musician: "enterprising, low-key hard bop"
  • The Rolling Stone Jazz & Blues Album Guide (1999): ★★★★
  • The Virgin Encyclopedia of Jazz (1999): ★★★


Album chart peaks:
  • US Billboard 200: Did not chart
  • Billboard Jazz: #32
  • Record World Jazz: #14

Tracks: 8 tracks, 4 of them Eubanks originals. My favorite tracks are the two on which Eubanks shines on solo acoustic guitar - the appropriately titled The Novice Bounce and the cover of Miles Davis's Blue In Green. Robin Eubanks shines on his arrangement of Jerome Kern's Yesterdays.

Personal Memory Associated with this CD: None

Tuesday, March 17, 2026

Kenny Dorham - Four Classic Albums (Second Set) (2018)


UK Import

2018 compilation of four albums by trumpeter Kenny Dorham; another quality compilation from the British Avid label. Albums have been remastered and the original liner notes are included. I went looking for the Afro-Cuban album, but when I saw it was included in this compilation of 4 albums for only $12.33, I jumped at it. Three of the four albums were released on the Blue Note label; Jazz Contrasts was released on Riverside. Turns out Dorham is a Texas native and, according to critic Will Friedwald, an “eternally underrated bebop trumpet icon.” All things considered, this set was quite a pleasant discovery.


AFRO-CUBAN (1957)
7 tracks, 35 minutes


The first four tracks were originally released in 1955 on the 10" Blue Note Modern Jazz Series, shortly before the label discontinued the format. In 1957, it was reissued on LP with additional tracks and new cover art. The latter incarnation is what is represented on this CD. And what a fun CD it is - quality solos from familiar names over "new" Latin grooves fused with the swinging hard bop of the '50s. Sort of taking over where Dizzy Gillespie and Chano Pozo left off.

1957 liner notes written by Leonard Feather.

Dorham - trumpet
Hank Mobley - tenor sax
Cecil Payne - baritone sax
Horace Silver - piano
Art Blakey - drums
Jay Jay Johnson - trombone (tracks 1-4)
Carlos "Patato" Valdes - congas (tracks 1-4)
Oscar Pettiford - bass (tracks 1-4)
Percy Heath - bass (tracks 5-7)

Reviews/ratings:
  • Downbeat (1955) (★★★★): "Kenny has rarely sounded as consistently at inventive ease as on this set."
  • Billboard (1955) (71 out of 100): "an often exciting brand of jazz"
  • CashBox (1957): "Striking jazz performances"
  • The Penguin Guide to Jazz (5th ed., 2000): ★★★
  • The Virgin Encyclopedia of Jazz (1999): ★★★★

Peak on the US Billboard Top 200 chart: Did not chart

Tracks: Of the first 4 tracks, my top picks are Afrodisia and Minor's Holiday. The later-added tracks 5-7 aren't Afro-Cuban, but still enjoyable, particularly K.D.'s Motion.


'ROUND ABOUT MIDNIGHT AT THE CAFÉ BOHEMIA (1956)
6 tracks, 44 minutes


Recorded on Thursday, May 31, 1956 at the Café Bohemia in Greenwich Village, New York City.

Dorham's melodic soloing is featured throughout this tight live session which contains a nice blend of originals and standards. Plus, the recording provides furthur evidence as to why Kenny burrell is one of my favorite guitarists. Judging by the crowd noise, Cafe Bohemia was quite an intimate setting and man-oh-man would I love to have been there that night.

Blue Note will soon release a 2 CD edition of this album which includes 17 tracks: The Complete 'Round About Midnight At The Cafe Bohemia. And yes, of course I'm considering a purchase.

Original 1956 liner notes written by Leonard Feather.

Dorham - trumpet
J.R. Monterose - tenor sax
Bobby Timmons - piano
Kenny Burrell - guitar
Sam Jones - bass
Arthur Edgehill - drums

Reviews/ratings:
  • Downbeat (★★★★): "well constructed, building, personal, emotional, rhythmically secure and of an absorbing consistency of invention at all tempos and moods."
  • Billboard (77 out of 100): "there are moments enough of excitement to warrant great interest"
  • The Virgin Encyclopedia of Jazz (1999): ★★★★
  • The Rolling Stone Jazz & Blues Album Guide (1999): ★★★

Peak on the US Billboard Top 200 chart: Did not chart

Tracks: The standards mentioned above are A Night In Tunisia, Autumn In New York, and the title track, which the group handles with a sort of informal sophistication if that makes any sense. The other three are all Dorham originals. All are good, but Mexico City is the star.


JAZZ CONTRASTS (1957)
6 tracks, 41 minutes


Sonny Rollins is a nice get as a guest artist plus there's a harp providing a novel timbre on a few tracks. Dorham sounds fantastic, Rollins is Rollins, the rhythm section is great, and everything swings.

Original liner notes written by album producer Orrin Keepnews.

Dorham - trumpet
Sonny Rollins - tenor saxophone (tracks 1-2, 4, 6)
Hank Jones - piano
Betty Glamman - harp (tracks 3-5)
Oscar Pettiford - bass
Max Roach - drums

Reviews/ratings:
  • DownBeat (★★★★): "This record may not shock anyone, but it is a delightfully listenable, productive representation of jazz on a professional level."
  • Billboard (Special Merit Jazz Album): "Package sells itself on the collective and individual excellence of all participants."
  • The Virgin Encyclopedia of Jazz (1999): ★★★
  • The Penguin Guide to Jazz (9th ed., 2008): ★★★
  • The Rolling Stone Jazz & Blues Album Guide (1999): ★★★★

Peak on the US Billboard Top 200 chart: Did not chart

Tracks: 3 ballads, 3 up-tempo, no originals. My top cuts are the standards Falling In Love With Love (Hart, Rodgers), I'll Remember April (de Paul, Johnston, Raye), and My Old Flame (Coslow, Johnston).


WHISTLE STOP (1961)
7 tracks, 39 minutes


Now if you'll excuse me, I'm gonna sit back and enjoy this one while I send you over to the Blue Note website for the hyperbolic lowdown on this release: Doing The Philly Twist: Kenny Dorham's Whistle Stop.

Original 1961 liner notes written by Ira Gitler.

Dorham - trumpet
Hank Mobley - tenor saxophone
Kenny Drew - piano
Paul Chambers - bass
Philly Joe Jones - drums

Reviews/ratings:
  • DownBeat (★★★½): "the solos do not live up to the ensembles"
  • CashBox: "a neatly tied-up jazz package of tremendous strength."
  • The Virgin Encyclopedia of Jazz (1999): ★★★
  • The Rolling Stone Jazz & Blues Album Guide (1999): ★★★★★

Peak on the US Billboard Top 200 chart: Did not chart

Tracks: 7 Dorham originals. Today, I'm liking Philly Twist, Whistle Stop, and Windmill.

Thursday, March 12, 2026

Talking Heads - Stop Making Sense (2024 reissue)


Note: this release was originally purchased as an LP, later replaced by a CD, later supplemented by a homemade "Special Edition" CD-R, finally replaced with this 2 CD + Blu-Ray set. This 18 track set is a far cry from the 9 track LP I purchased back in 1985.

As described on the band's website:
Stop Making Sense is widely regarded as the best concert film of all time. This 2CD/1Blu-Ray disc edition features the complete show on 2-CDs, additional liner notes written by Tina Weymouth, David Byrne, Chris Frantz, and Jerry Harrison as well as photos not previously available with the CD, and the audio mixed in beautiful Dolby Atmos surround sound on the Blu-Ray audio disc. A live "best-of," Stop Making Sense starts strong with the band's hit off their debut album "Psycho Killer," and dives into favorites and deep cuts from "Burning Down the House" and "This Must Be The Place" to "Girlfriend Is Better" and "Heaven." The band also performs' the Tom Tom Club's "Genius Of Love."
Yes, Stop Making Sense is indeed the best concert film of all time and this album has long been my favorite Talking Heads release. I've heard a lot of versions of this music on many formats and I gotta tell ya: the sound on this set is far superior to any previous version and it's not even close. Kudos to Jerry Harrison and E.T. Thorngren for the mix. This new mix really brings out the contributions of the added musicians Bernie Worrell, Alex Weir, and in particular, backing vocalists Lynn Mabry & Ednah Holt. Makes all previous releases (and rereleases) obsolete. 

Press of the time:
  • Rolling Stone (★★★★): "a solid artistic statement from a band that's starting to have as much as they've given their listeners."
  • Stereo Review: "a great live performance"
  • Robert Christgau (B+): a soundtrack, albeit for the finest concert film I've ever seen"
  • CashBox: "an electrifying LP"
  • Billboard: "sustains remarkable polish"


Original album chart peaks:
  • US Billboard Top 200: #41
  • Billboard Pop CD: #25
  • CashBox: #29
  • CashBox CD: #10
  • Rolling Stone: #16

Tracks: I don't skip any tracks; my favorites are Found A Job, What A Day That Was, This Must Be The Place (Naïve Melody), Once In A Lifetime, and Take Me To The River.

Blu-Ray: As if the 2 "regular" CDs weren't sounding spectacular enough, this set comes with a Blu-Ray disc containing a Dolby Atmos mix. When Atmos mixes starting appearing, I thought it would be a passing fad, much like other legacy music formats such as DualDisc, DVD Audio, CD+G, CD Video, etc., but I'll admit it has hung around longer than I thought it would. When I came across the first Atmos disc in my collection (Abbey Road), I didn't have a proper playback for the Atmos mix. I've since researched what it would cost to get me set up with a quality system and my fixed income quickly shot down that idea. However, I came up with a decent workaround. I discovered my Sony Xbox Series X is compatible with Atmos discs, so I purchased a wireless gaming headset and - Bob's your uncle - I was all set to enjoy the Atmos mix. And lemmetellya the surround sound is fantastic, especially with lights off and eyes closed. I won't go out of my way to buy Atmos discs, but it's nice to be able to listen to the discs I have.

Personal Memory Associated with this CD: When the movie was restored and rereleased in 4K for the film's 40th anniversary, I drove downtown to take it in at one of the local IMAX theaters. I went to the 11 AM screening, so there were only about 5 or 6 of us in the audience. As such, the typical movie theater distractions (talking, phone use, etc.) weren't there and I could focus on the show. It was glorious. My only regrets are 1) they weren't selling Stop Making Sense merch at the theater, and 2) I didn't stay for a second screening.

And, as I've mentioned before, a movie poster has been hanging out above my CDs for many years.

Previously revisited for the blog:
The Best Of (2004)The Name Of This Band Is Talking Heads (1982)
Little Creatures (1985)Remain In Light (1980)
Stop Making Sense (1984)Fear Of Music (1979)
Speaking In Tongues (1983)Talking Heads: 77 (1977)

Tuesday, March 10, 2026

Various Artists - Buddha-Bar IV (2002)


Another world beat chill-out compilation from our friends at Buddha Bar. Meant to be heard, but not noticed. For what it's worth, I prefer CD1 to CD2.

Peak on the US Billboard Top 200 chart: Did not chart

Tracks:

CD1: Dinner

Artist Title
1
Frédérick Rousseau La Fille De Pékin
2
Tiber Project Tibet (A Passage To...)
3
Jade Or Opium
4
Nitin Sawhney Moonrise
5
Nash Didan A Window Of My Dreams
6
Agricantus Amatevi
7
Manuel Franjo Tiempo
8
Guadalupe Pineda Con Los Tres Ases Historia De Un Amor
9
Armen Chakmakian Distant Lands
10
Nickodemus Desert Dancer (Zeb's Slow Camel Ride Remix)
11
Flam Monsoon
12
Tulku Rahda Ramana
13
Natassa Theodoridou Tora To Thimithikes
14
Gotan Project Una Musica Brutal


CD2: Drinks
CD2
Artist Title
1
outsized Karma (Extended Mix)
2
Time Passing Party People
3
Panjabi MC Mundian To Bach Ke
4
Ishtar Comme Toi
5
Chris Spheeris Dancing With The Muse
6
David Visan & Carlos Campos Irish Coffee
7
Llorca The Novel Sound
8
Loving Paris Loco
9
Roland Louis Percussion's Rhythm (Dimitri From Paris Re-Edit)
10
Dan Lackman's Alliance Louxor In Vegas
11
Angie Samiou Agoraki Mou
12
Amr Diab Aktar Wahed
13
Celia Cruz Yo Vivire (I Will Survive)
14
Usual Masters Nocturne In Paris


Personal Memory Associated with this CD: See my first Buddha Bar blog post.

Previously revisited for the blog:
Buddha Lounge (2002)
Buddha-Bar III (2001)

Monday, March 9, 2026

The Blackbyrds - Action (1977)/Better Days (1980)


EU import

Back in 2022, I was introduced to the song Soft And Easy through a compilation CD and liked it so much that I immediately sought out the 1977 album on which it originally appeared, Action. I found Action on this Blackbyrds twofer reissue on the BGP label and bought it immediately. The compilation captures the band's transition from danceable R&B (Action, produced by mentor and namesake Donald Byrd) to more synth based funk (Better Days, produced by George Duke). I prefer the former to the latter and if sales are any indication, so did the record buying public.


ACTION (1977)
7 tracks, 34 minutes


Sleek grooves, tasty EWFish horn arrangements, disco strings, and bass lines perfect for your local lighted dance floor. Features guest appearances from Ernie Watts and Ray Parker, Jr. Sticking with the group's characteristic formula, the album lacks a Top 40 hit, but it is definitely funky enough for the club while still being refined enough to remind you the band members came from jazz backgrounds.

Press of the time:
  • CashBox: "A sizzling, multilayered, funk-laden disc destined for mass appeal"
  • Billboard: "cheery, funky synthesized r&b...mellow, sleek soul ballads...midtempo jazz-tinged efforts."
  • Record World: "should hurdle jazz, r&b and rock barriers with little difficulty."

Album chart peaks:
  • US Billboard 200: #43
  • Billboard R&B: #8
  • CashBox: #47

Tracks: Nothing to skip among these seven tracks. Three singles were released from the album: the aforementioned Soft And Easy (#20 R&B), Supernatural Feeling (#19 R&B), and Street Games. However, I think the smoothest cut here is Mysterious Vibes (Wikipedia tells me a remix of Mysterious Vibes was released in 2002, but consider the source).


BETTER DAYS (1980)
10 tracks, 40 minutes


It seems like the group was trying to be a cross between Rick James and Kool & The Gang and it didn't quite work for them. Pity. The grooves are here, there's plenty of production tricks that were popular in 1980, and the performances are quite good. The only thing missing is hooks. 

Press of the time:
Album chart peaks:
  • US Billboard 200: #133
  • Billboard R&B: #40
  • CashBox: #142

Tracks: Four singles were released from the album: Don't Know What To Say, Dancin' Dancin' (#59 dance), What We Have Is Right (#38 R&B), and Love Don't Strike Twice (#52 R&B). I think the best track is Without Your Love plus there's plenty of filler cuts.

Personal Memory Associated with this CD: None

Monday, March 2, 2026

Lee Morgan - Four Classic Albums: Second Set (2019)


UK Import

2019 compilation of four albums by Lee Morgan from the late 1950s. Another quality compilation from the British Avid label, who take full advantage of the length of copyright laws in Europe (50 years) and, might I add, make classic jazz releases quite affordable: I paid $11.98, new, for this 2 disc set. Albums have been remastered and the original liner notes are included. Morgan was such a fantastic trumpet player. The whole set is highly enjoyable.


CANDY (1958)
6 tracks, 37 minutes


Previously appeared on The CD Project.


CITY LIGHTS (1958)
5 tracks, 38 minutes


Original liner notes written by Leonard Feather.

Morgan - trumpet
George Coleman - tenor & alto saxophones
Curtis Fuller - trombone
Ray Bryant - piano
Paul Chambers - bass
Art Taylor - drums

Reviews/ratings:
  • DownBeat (★★★★): "a lot of rewarding listening here"
  • The Virgin Encyclopedia of Jazz (1999): ★★★★

Tracks: Five tracks, none written by members of the band. Three of the tunes were written by Benny Golson, plus one each from Johnny Green and Gigi Grice. Fuller really brings the goods throughout and really pushes Morgan - it's a joy to hear the playful battles here. Things get a little sloppy in Just By Myself. My top picks are the title cut and You're Mine You.


LEE MORGAN - INDEED! (1957)
6 tracks, 41 minutes


Morgan's debut album as a leader, but plays like a seasoned pro. These four albums were recorded when Morgan was 18 & 19 years old and you'd never know it - such a mature sound.

Original liner notes written by Leonard Feather.

Morgan - trumpet
Clarence Sharpe - alto saxophone
Horace Silver - piano
Wilbur Ware - bass
"Philly" Joe Jones - drums

Rating:
  • The Virgin Encyclopedia of Jazz (1999): ★★★

Tracks: 6 tracks: 1 from pianist Silver, 1 from Donald Byrd, and 2 each from Owen Marshall (a name previously unknown to me) and the aforementioned Benny Golson. The highlights of this debut are the two middle tracks, The Lady and Little T.


THE COOKER (1958)
5 tracks, 39 minutes


Morgan's fifth release for Blue Note and the first to feature some of his own compositions.

Original liner notes written by Robert Levin.

Morgan - trumpet
Pepper Adams - alto saxophone
Bobby Timmons - piano
Paul Chambers - bass
"Philly" Joe Jones - drums

Ratings:
  • The Rolling Stone Jazz & Blues Album Guide (1999): ★★★★
  • The Virgin Encyclopedia of Jazz (1999): ★★★★

Tracks: In addition to two of Morgan's compositions - titled Heavy Dipper and New-Ma - there are versions of Lover Man, Cole Porter's Just One Of Those Things, and Dizzy Gillespie's A Night In Tunisia, the latter two in which Morgan burns through the tunes in dazzling display of technique. The Cooker, indeed.



Previously revisited for the blog:
Candy (1958)