Lonnie Smith - Live At Club Mozambique (1995)

Recorded live at Club Mozambique, Detroit, on May 21, 1970, finally released in 1995.

Best known for his work in the bands of George Benson and Lou Donaldson, master of the Hammond B-3 Lonnie Smith leads his own group on this release. A hot live session of solid jazz-funk-soul grooves (heavy on the funk) featuring a great band:

Smith - organ
Dave Hubbard - tenor saxophone
Ronnie Cuber - bass
George Benson - guitar
Joe Dukes - drums
Gary Jones - conga
Clifford Mack - tambourine

Sounds like everybody was having a great time and I'm sure the crowd in attendance couldn't hold still. Complete liner notes available here.

Focusing on soul-jazz reissues, Blue Note introduced its Rare Groove Series in 1995 as a somewhat belated response to the acid jazz scenes in England. Of this initial bunch of releases, CMJ New Music Report labeled this album as "the best of the bunch." I'm not in the market for the other releases in the series, but ya never know.

Peak on the US Billboard Top 200 chart: Did not chart

Tracks: 6 of the 8 tracks are credited to Smith, plus two covers of familiar tunes. I don't believe the credits are entirely accurate because the lead track is a James Brown tune, but writing credits don't concern me much as a listener. Most grooves are reminiscent of Brown or The Meters. Of the originals, my top picks are I Can't Stand It and Scream, while Benson's best solo is on Track 5, Love Bowl. Track 2, Expressions, is more bebop than funk, but the band certainly cooks. My least favorite track is Peace Of Mind, partially because of the misogynistic lyrics and partially because Smith sings when he should stick to organ. The album closes with a great cover of Sly Stone's Thank You (Falettinme Be Mice Elf Agin) followed by a frantic take on Miles Davis's Seven Steps to Heaven.

Personal Memory Associated with this CD: None

Previously revisited for the blog:
Evolution (2016)

Dr. Lonnie Smith - Evolution (2016)

NEW MUSIC WEEK 2016 (NOVEMBER 14-20, 2016)

Frequent readers of these bloggish ramblings know that I'm a sucker for the Hammond B3 organ so this album is right in my wheelhouse. Dr. Lonnie Smith spends this whole disc dialing up a '60s & '70s jazz funk groove and it's perfect. "Evolution" is an odd title choice for a throwback album, but I can't argue with the results so I'll shut up about it.

There's no bass listed in the credits so I'm assuming Smith's feet are providing those grooves on the pedals. Amazing. Great arrangements and production throughout. Don Was not only expertly produced this, he's also head of Blue Note Records, so that all worked out nicely.

Album chart peaks:

• US Billboard 200: Did not chart
• Billboard Jazz: #8

Tracks:

1. Play It Back - a 14 minute funk tune with all kinds of solos, the best coming from pianist Robert Glasper. Originally from Smith's Live At Club Mozambique (recorded 1970), this sets the tone for the rest of the tracks.
2. Afrodesia - the funk continues, although a bit slower. This track features saxophonist Joe Lovano, who originally recorded this tune with Smith back in 1975. Lovano steals the track with his "G" Mezzo Soprano Saxophone (new instrument to me) solo, but trumpeter Maurice Brown also takes a tasty turn.
3. For Heaven's Sake - things slow down in this original Smith ballad, again featuring Lovano, this time on tenor saxophone. The melody is doubled by tenor sax and bass clarinet - not a combination you hear everyday but the arrangement ideally suits the melody. Smith and guitarist Jonathan Kreisberg both offer up tasteful, restrained solos.
4. Straight No Chaser - a manic, often frantic, take on the Thelonius Monk standard. Sounds like the trio is having a blast. Kreisberg (what a great tone!) makes this one his own while drummer Jonathan Blake is throwing as many polyrhythms into his playing as he can think of. I prefer the funkier tunes, but jazz purists would love this cut.
5. Talk About This - a Smith original that brings to mind Headhunters-era Herbie Hancock funk. Producer Was should have stepped in and gotten rid of the vocals, but that's a small nit to pick. This track contains my favorite organ solo on the whole album.
6. My Favorite Things - Smith adds some synth work to this Rodgers and Hammerstein tune from The Sound Of Music. It's not quite working for me and doesn't really fit in with the rest of the album. Smith is brave to tackle a tune which Coltrane laid claim to (and still owns) in 1961. Still an intriguing listen, though.
7. African Suite - The album finishes with a 10 minute suite written by Smith. If you're hoping the album would finish as funky as it started, you're outta luck because this sounds just like you'd expect from the title (although it hardly could be considered a suite). The track features nice flute work over a jazz waltz feel with lots of drumming - Hey! I just noticed there's two drummers on the track, although one is clearly playing percussion and not the traditional traps. Fun tune, but it wouldn't surprise me if the only first 5 tracks of this album get the plays from now on.

Down Beat, March 2016, p. 52

Personal Memory Associated with this CD: None, but evidently you can just start calling yourself "Dr." and people go along with it. If I'd known that 15 years ago, I coulda saved myself some time and money. (side note: I just paid off my student loans from my terminal degree so I'm very happy with that).

This CD is the only one featured this week that came in a good old-fashioned hard plastic jewel case, the way CDs were meant to be stored. All the other new releases from this theme week came in digipaks or cardboard sleeves. I'd classify myself as treehugger environmentalist, but I just can't help lovin' the plastic here. Sorry to see it being phased out; call me a sentimental fool. Or simply a fool.