
MIZELL BROTHERS MONTH (APRIL 2026)
Recorded live at the Montreux Jazz Festival, Montreux, Switzerland, July 5, 1973. While the Mizell Brothers didn't produce this particular Byrd album, they were in the band on that date. Also in the band were four of Byrd's students who would go on to form the Blackbyrds.
From the Blue Note website:
In July 1973, Blue Note Records headed to Montreux, Switzerland to showcase several of the label’s stars at the Montreux Jazz Festival. That summer, Byrd was fresh off the release of his hit crossover fusion album Black Byrd, the first of his innovative and incredibly successful studio collaborations with producer Larry Mizell. But in a live setting the band had a rawer, harder edge, as this searing set attests. Live: Cookin’ with Blue Note at Montreux is released on what would have been the legendary trumpeter’s 90th birthday — December 9, 2022.Even though Black Byrd had just been released, the band only plays the title track from that album here. The remainder of the album sounds like the whole band had been listening only to In A Silent Way and Bitches Brew for months because the arrangements on this live date greatly resemble those pioneered by Miles & Company a few years earlier. Not as slick as the Byrd/Mizell studio albums and the rougher live edge is just gritty enough to enjoy. I dig the whole album and am hypnotized into a fusion trance while listening. I'd love to read a first-hand account of what that show was like. Other performers at the festival that night included Alphonse Mouzon, Bobbi Humphrey, Bobby Hutcherson, Marlena Shaw, and Ronnie Foster. What a line up!
CD liner notes from Larry Mizell and Don Was, the president of Blue Note Records.
Byrd – trumpet, flugelhorn, vocals
Fonce Mizell – trumpet, vocals
Allan Barnes – tenor saxophone, flute
Nathan Davis – tenor and soprano saxophone
Kevin Toney – electric piano
Larry Mizell – synthesizers
Barney Perry – electric guitar
Henry Franklin – electric bass
Keith Killgo – drums and vocals
Ray Armando – congas and percussion
Peak on the US Billboard Top 200 chart: Did not chart
Tracks: The album kicks off with the funky Black Byrd, followed by a stellar cover of Stevie Wonder's You've Got It Bad Girl, then three otherwise unrecorded Byrd originals: The East, Kwame, and Poco-Mania. Kwame has an annoying start with some unnecessarily strident synth sounds, but eventually settles into a more relaxed groove. As with the Miles Davis albums mentioned above, just hit the play button and let it cook.
Personal Memory Associated with this CD: None
Previously revisited for the blog:
| Love Byrd (1981) | Street Lady (1974) |
| Caricatures (1976) | Black Byrd (1973) |
| Stepping Into Tomorrow (1975) | A New Perspective (1964) |


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