Talking Heads: 77 (1977)

Note: the CD I listened to was the 1988 reissue.

I've written plenty about Talking Heads on this blog and there's still more to come. So, instead of discussing the band, I'll write about how unfairly I treat this album. In 1977, 11 year old Mark was an AM radio junkie with no connection to this sort of stuff. My first memory of Talking Heads is seeing David Byrne jerk around in the video for Once In A Lifetime when it aired on MTV in late '82/early '83. From there, I heard Remain In Light, then Speaking In Tongues helped soundtrack my senior year of high school, then I caught on to the live albums, and so on. So I didn't hear the music on Talking Heads: '77 until I was already deeply immersed in the band's later œuvre. As such, these songs didn't have the impact on me as they might otherwise have. Is that fair? Probably not. Is that way it is? Yup. Shrug.

Comparisons to Marquee Moon are common and not without merit. This album met with more critical success than commercial success, possibly because the press didn't know how to classify the eclectic rock/funk/pop/new wave sound of the music. As the CashBox review (below) states: "this band has been tagged with the 'punk' label, which fits them about as well as a tux at the beach." I'll leave you with this blurb taken from the CD booklet, also printed on the back of the CD longbox:

It is indeed a masterful debut, but today I'd place it either 5th or 6th if I was ranking the group's eight studio albums.

Press of the time:

• Billboard: "a style that crosses precise and lightly funky arrangements with a shade of avant-garde/modal progressiveness that's neither hard, soft nor punk."
  
• CashBox: "An interesting and highly appealing band that bears watching."
• Record World: "The Heads are really far removed from this mainstream."
• Robert Christgau: A-
• Rolling Stone: "one of the definitive records of the decade."
• Trouser Press: "This album will test your capacity for wonder."
• Roadrunner: "it will get inside your head and it won't leave you alone. You have been warned."
• Record Mirror (++++): "An impressive debut."
• The Virgin Encyclopedia of Indie & New Wave (1998): ★★★★

Album chart peaks:

• US Billboard 200: #97
• CashBox: #169

The album was voted the year's seventh best album in The Village Voice's Pazz & Jop critics' poll. It was also included in the 2005 book 1001 Albums You Must Hear Before You Die, where it was written that the band "had taken elements of punk, funk, and disco and convincingly created a unique sound of their own." In 2013, Rolling Stone ranked the album at #68 on their list of "100 Best Debut Albums of All Time;" however, it was dropped from the 2022 revision of said list.

Tracks: Let's rank 'em!

11. Tentative Decisions
10. No Compassion
9. New Feeling
8. The Book I Read
7. Happy Day
6. First Week/Last Week...Carefree
5. Don't Worry About The Government*
4. Pulled Up
3. Uh-Oh, Love Comes To Town
2. Psycho Killer
1. Who Is It?

*Note: I'm really worried about the government.

Personal Memory Associated with this CD: None.

Previously revisited for the blog:

The Best Of (2004)	Speaking In Tongues (1983)
Little Creatures (1985)	The Name Of This Band Is Talking Heads (1982)
Stop Making Sense (1984)	Remain In Light (1980)
	Fear Of Music (1979)