
A very enjoyable release from this family group, one of Ireland's most successful musical exports. Above average adult contemporary soft rock with just a touch of edge on several tracks. A little more popish than folkish, although I also like the slightly more traditional folk sound of their 1995 release. The change paid dividends for the quartet as the album sold platinum and hit #1 in several countries plus gave the group their only Top 40 hit in the United States with Breathless.
Breathless was nominated for a Grammy award in the category Best Pop Performance by a Duo or Group with Vocals, eventually losing to Cousin Dupree by Steely Dan. Track 15, the more traditional Rebel Heart, was nominated for Best Pop Instrumental Performance, eventually losing to Caravan by The Brian Setzer Orchestra.
Peak on the US Billboard 200 chart: #21
Tracks: The disc kicks off with three strong tracks: Breathless (#7 adult pop, #34 pop), Give Me A Reason, and Somebody For Someone. Other top tracks include All The Love In The World (#24 adult pop), Irresistible, No More Cry, and Rebel Heart. I don't think it's a coincidence that Breathless, All The Love In The World, and Irresistible are the three cuts on the album produced by Mutt Lange (and, yes, I'll admit they sound like Shania Twain releases of the time). I think the album would have been a fantastic, tight CD if they'd pared it down to about 10 cuts, but with 15 tracks it goes on a bit long for me.
But the music isn't even the most interesting thing about this CD to me. This is the only CD I currently have on my shelves labeled as a "HyperCD."

From what I can tell, this short-lived brand of software was designed to work by simultaneously utilizing data from three separate locations: 1) downloaded software stored on the users' computers, 2) data contained on the disc itself, and 3) the Internet. This technology was marketed to consumers as "an exciting new hybrid CD technology that delivers high quality video and CD-quality audio via the Web without any of the quality loss of streaming or the lengthy download times associated with the Web at large." However, to the record labels, it was marketed as offering "fully trackable offline/online marketing solutions." In other words, direct marketing plus offline data collection opportunities.[source]
And while date mining is commonplace now, it was relatively new and controversial at the time. So consumers got wind of the suspect data collection and there goes your HyperCD (along with the increased availability of broadband service plus there was a problem with forgetting to renew the registration of the HyperCD domain name. Oops. See Broadbridge Media, L.L.C. v. Hypercd.com (2000)). Anyhoo, here's an archived list of HyperCD releases as of July 9, 2001: http://www.broadbridgemedia.net/partners.html. Maybe there's a few on your shelves right now?
The HyperCD bonus content on this particular disc was apparently the video for the song Breathless. I couldn't get the thing to play on my desktop, but I didn't put in much effort because the video is readily available on YouTube if ya need it.
Thanks to longtime friend o' the blog Dirk Digglinator for alerting me to the existence of the HyperCD format. Go raibh míle maith agat! ☘
Personal Memory Associated with this CD: None
Previously revisited for the blog:
Forgiven, Not Forgotten (1995)
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