This wonderful "book set" is described on the Stax website thusly:
The five-disc box set contains the A- and B-sides of every single released under the Stax banner in 1968, including the company's sub-labels. With a 56-page book including revelatory, in-depth liner notes by Andria Lisle, Robert Gordon, and Steve Greenberg, as well as rare and previously unseen photos, the set presents more than 120 songs from this unprecedented creative period in American music.And on the set's hype sticker:
More hype:
To be honest, I was initially weary about getting all the b-sides because I usually dismiss them completely, saying something like "b-sides are b-sides for a reason," but once I heard this entire set, I changed my mind. In many cases, the b-side is just as good or better than the a-side. In one case, it was the b-side that charted: Tribute To A King, a memorial to Otis Redding. I didn't do any research so I'm just guessing here, but I'd wager this box set was the first time some of these b-sides have appeared on a CD.
The book does a fantastic job of describing the included singles within the context of the Memphis culture of 1968: civil unrest, the sanitation strike, and the assassination of Dr. Martin Luther King, Jr. The photo used on the cover is of the MLK memorial march down Main Street in Memphis on April 8.
Tracks, with just a few of my many favorites indicated with ✔.
Sub-labels of Stax1 included in this set are Volt2, Enterprise3, Hip4, Magic Touch5, and Arch6.
DISC ONE
26 tracks, 69 minutes
Released January - March
26 tracks, 69 minutes
Released January - March
Artist | Single | R&B | Pop | |
Otis Redding2 | (Sittin' On) The Dock Of The Bay b/w Sweet Lorene | 1 | 1 | ✔ |
Sam & Dave1 | I Thank You b/w Wrap It Up | 4 | 9 | ✔ |
The Memphis Nomads1 | Don't Pass Your Judgement b/w I Wanna Be (Your Lover & Your Honey) | ✔ | ||
Shirley Walton3 | I Was Born To Love You b/w I'm So Glad You're Back | |||
Otis Redding & Carla Thomas1 | Lovey Dovey b/w New Year's Resolution | 21 | 60 | |
Ollie & The Nightingales1 | I Got A Sure Thing b/w Girl, You Have My Heart Singing | 16 | 73 | |
Eddie Floyd1 | Big Bird b/w Holding On With Both Hands | ✔ | ||
The Bar-Kays2 | A Hard Day's Night b/w I Want Someone | |||
Johnnie Taylor1 | Next Time b/w Sundown | 34 | ||
William Bell1 | Every Man Oughta Have A Woman b/w Tribute To A King | 16 | 86 | |
Mable John1 | Able Mable b/w Don't Get Caught | |||
Rufus Thomas1 | The Memphis Train b/w I Think I Made A Boo Boo | ✔ | ||
Jeanne & The Darlings2 | What Will Later On Be Like b/w Hang Me Now |
DISC TWO
22 tracks, 60 minutes
Released March - May
22 tracks, 60 minutes
Released March - May
Artist | Single | R&B | Pop | |
Derek Martin2 | Soul Power b/w Sly Girl | ✔ | ||
Linda Lyndell2 | Bring Your Love Back To Me b/w Here I Am | |||
Carla Thomas1 | A Dime A Dozen b/w I Want You Back | |||
Kangaroo's4 | Groovy Day b/w Every Man Needs A Woman | |||
Isaac Hayes3 | Precious Precious b/w Going To Chicago Blues | ✔ | ||
The Mad Lads2 | Whatever Hurts You b/w No Time Is Better Than Now | 31 | ||
Otis Redding2 | The Happy Song (Dum-Dum) b/w Open The Door | 10 | 25 | ✔ |
Albert King1 | (I Love) Lucy b/w You're Gonna Need Me | 46 | ✔ | |
Johnnie Taylor1 | I Ain't Particular b/w Where There's Smoke There's Fire | 45 | ✔ | |
Eddie Henderson Quintet3 | Georgy Girl b/w A Million Or More Times | ✔ | ||
Shirley Walton3 | Send Peace And Harmony Home b/w The One You Can't Have All By Yourself |
DISC THREE
29 tracks, 79 minutes
Released May - September
29 tracks, 79 minutes
Released May - September
Artist | Single | R&B | Pop | |
Booker T. & The MG's1 | Soul-Limbo b/w Heads Or Tails | 7 | 17 | ✔ |
Eddie Floyd1 | I've Never Found A Girl (To Love Me Like You Do) b/w I'm Just The Kind Of Fool | 2 | 40 | |
Delaney & Bonnie1 | It's Been A Long Time Coming b/w We've Just Been Feeling Bad | |||
Linda Lyndel2 | What A Man b/w I Don't Know | 50 | ✔ | |
Harvey Scales & The Seven Sounds5 | Broadway Freeze b/w I Can't Cry No More | ✔ | ||
Johnny Daye1 | Stay Baby Stay b/w I Love Love | |||
Bobby Whitlock4 | Raspberry Ring b/w And I Love You | |||
Judy Clay & William Bell1 | Private Number b/w Love-Eye-Tis | 17 | 75 | |
Jimmy Hughes2 | I Like Everything About You b/w What Side Of The Door | 21 | ||
The Delrays6 | Lollipop Lady b/w (There's) Always Something There To Remind Me | |||
Lindell Hill6 | Remone b/w Used To Be Love | |||
The Aardvarks6 | Subconcious Train Of Thought b/w Unicorn Man | |||
Fresh Air6 | Somebody Stole My Gal b/w Somebody Stole My Gal (Instrumental) | |||
Judy Clay1 | Bed Of Roses b/w Remove These Clouds | |||
The Staple Singers1 | Long Walk To D.C. (b-side starts next CD) | ✔ |
DISC FOUR
29 tracks, 79 minutes
Released September - November
29 tracks, 79 minutes
Released September - November
Artist | Single | R&B | Pop | |
The Staple Singers1 | Stay With Us | |||
The Soul Children1 | Give 'Em Love b/w Move Over | 40 | ||
Johnnie Taylor1 | Who's Making Love b/w I'm Trying | 1 | 5 | ✔ |
Rufus Thomas1 | Funky Mississippi b/w So Hard To Get Along With | ✔ | ||
Carla Thomas1 | Where Do I Go b/w I've Fallen In Love | 38 | 86 | |
The Mad Lads2 | So Nice b/w Make Room | 35 | ✔ | |
Charmells2 | Lovin' Feeling b/w Sea Shell | |||
Jeanne & The Darlings2 | It's Unbelievable (How You Control My Soul) b/w I Like What You're Doing To Me | ✔ | ||
Southwest F.O.B.4 | Smell Of Incense b/w Green Skies | |||
The Village Sound4 | Sally's Got A Good Thing b/w The La La Song | |||
Eddie Floyd1 | Bring It On Home To Me b/w Sweet Things You Do | 4 | 17 | |
Booker T. & The MG's1 | Hang 'Em High b/w Over Easy | 35 | 9 | ✔ |
Ollie & The Nightingales1 | You're Leaving Me b/w Showered With Love | 47 | ||
The Popcorn Generation4 | Kitchy Kitchy Koo b/w Shake It | |||
The Bar-Kays2 | Copy Kat b/w In The Hole |
DISC FIVE
28 tracks, 78 minutes
Released November & December
28 tracks, 78 minutes
Released November & December
Artist | Single | R&B | Pop | |
Dino & Doc2 | Mighty Cold Winter b/w A Woman Can't Do (What A Man Do) | |||
William Bell1 | I Forgot To Be Your Lover b/w Bring The Curtain Down | 10 | 45 | |
The Goodees4 | Condition Red b/w Didn't Know Love Was So Good | |||
Mable John1 | Running Out b/w Shouldn't I Love Him | |||
Billy Lee Riley4 | Family Portrait b/w Going Back To Memphis | |||
William Bell & Judy Clay1 | My Baby Specializes b/w Left Over Love | 45 | 104 | |
The Soul Children1 | I'll Understand b/w Doing Our Thing | 29 | ||
The Staple Singers1 | The Ghetto b/w Got To Be Some Changes Made | |||
Albert King1 | Blues Power b/w Night Stomp | ✔ | ||
The Epsilons1 | The Echo b/w Really Rockin' | |||
Rufus Thomas1 | Funky Way b/w I Want To Hold You | ✔ | ||
This Generation4 | The Children Have Your Tongue b/w Give Her What She Wants | |||
Daaron Lee4 | Who's Making Love b/w Long Black Train | |||
Johnnie Taylor1 | Take Care Of Your Homework b/w Hold On This Time | 2 | 20 | ✔ |
Personal Memory (Loosely) Associated with this CD: My favorite civil rights story comes from 1966, not 1968, but the writings in the included book reminded me of this story so here it goes: My father attended Union Theological Seminary (now Union Presbyterian Seminary) in Richmond, Virginia and, upon graduation in 1962, was called to the Sardis Presbyterian Church in Sardis, Mississippi. Sardis is a small town on the edge of the Delta, about an hour's drive south of Memphis. A young preacher, 24 years old, dropped into a position of moral leadership in the Deep South, in the middle of the civil rights movement - I can't even imagine.
My parents in front of the church manse, 1962. |
In June of 1966, James Meredith, who had integrated the nearby University of Mississippi in 1962, walked alone in the Meredith March Against Fear "to promote black voter registration and defy entrenched racism." Headed to Jackson, the march started at the Peabody Hotel in Memphis on June 5; Meredith was shot on June 6. Other organizations rallied to take Meredith's place and complete the march to Jackson. More on the march here or check out the 2014 book, Down to the Crossroads: Civil Rights, Black Power, and the Meredith March Against Fear by Aram Goudsouzian.
The march eventually entered Sardis on Hwy 51 and passed directly in front of the Presbyterian church. Like many churches in rural small towns, the church didn't have any locks on the doors. In preparation for the incoming marchers, the church's (white, male) board of deacons had met without my father's knowledge and decided to have locks put on the doors of the church in order to keep out any marchers; I feel confident in saying the deacons used the N-word instead of the term "marchers." In any case, my father walked up to the church to work one morning and saw the local locksmith putting strong Yale locks on the doors of the church. I'm sure my father made some small talk with the locksmith and carried on with his morning. After lunch, when he was alone, Dad returned to the church and removed the new locks. He simply believed (as I do) that a church is no place for bigotry (sadly, a message that many churches still need to hear these many decades later). Dad then took the locks and placed them on the bookcase directly behind his desk in his office so that anyone who entered the office would know precisely who had removed the locks. He claims nobody ever said a word to him about it. I'll bet there was plenty of talk about it, though.
Within six months, Dad had wisely accepted a call to another congregation. In December 1966, the family, including an infant named Mark, moved from Mississippi to the oil fields of West Texas, where they lived until 1978. Here's a photo of that infant child taken in 1968, around the time the songs found on disc 3 were released:
Without a doubt, your best post of the more than a thousand I have read. Thanks for sharing.
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